Samae's Synth Stuff et al.
A listing of my home-made music, now made available to all.
Unless specified otherwised, this work is licensed under a Creative Commons Attribution 4.0 International License.
Some recent projects which are also located elsewhere, for now.
I discover sounds and ways to use them using synthesizers and my audio recording devices. The results occasionally turn into music.
My website is here
I'm also on Mastodon
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From here, you can download my albums. You can even chuck us a few bob, if you can afford it.
Faircamp is a free and open source music site generator. Check out other musicians' sites:
Snap Infraction is a rock n roll band from Philadelphia, PA. They sound like everything and nothing you've heard before.
They love guitars, drums, vocal harmonies with a touch of piano and hammond for good measure.
Find us elsewhere on our website, Mastodon, Instagram or just check out ALL our links.
If you like what you hear, consider supporting us by checking us out on Bandcamp or by naming your price.
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The home of Flavigula and related artists. We are a group of loosely knit individuals toiling both intensely and sporadically to exorcise whorls of inner turbulence and place dabs of serene absurdity onto life's canvas.
All work here is licensed under Creative Commons CC BY-NC-SA 4.0.
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smooshing up sonic piles on your plate and lovingly spooning them into your ear holes
beeps boops and runk-a-dunks -- heeere comes the aeroplane
Albums:
ecclectic music for an electronic generation
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Gorr was founded in the late dark months of 2019 by Skuggimaðr (Gjøran Sæther) after he heard the old story about the local king named Gorr. The story about him and the locations for it suited perfectly as inspiration for a black metal project that was still a “wanted child” but not yet born. The location is where Skuggimaðr lives and is an island on the north west coast of Norway called Gossen.
The first EP was named Svart (black in Norwegian), and was made by Skuggimaðr with some help from Hateful Wind (Evan Barton) on guitars. After the EP Hateful Wind joined Gorr and is now a big part of the creative process together with Skuggimaðr. The debut album out and is called Likstadberget
Det var ei utrygg tid med overfall og ran, mange gonger av frammande folk, men mest av den mektige sjøkongen Gorr og hans tallrike og krigslystne slekningar. Gorr budde på øya Gossen i Møre, og vegen var kort til Trøndelag og inn i fjordane til Gaula og Orkla. Så sterk var han og hans menn at enno i dag i Trøndelag kallar dei ein slik kar for en “gosse”.
…or something like this translated:
It was a precarious time of assault and robbery, many times of the rising people, but most of the mighty sea king Gorr and his numerous and warlike relatives. Gorr lived on the island of Gossen in Møre, and the trip was short to Trøndelag and into the fjords to Gaula and Orkla. He and his men were so strong that even today in Trøndelag they call such a guy a “gosse”.
kel is an electronic musician and sound synthesist who uses hardware modular synthesisers to create beats, tones and textures.
KNova makes electronic music. All releases on this page are licensed under CC BY-SA 4.0. That means you can share this music in any way you'd like, even for commercial purposes. You are also free to adapt/remix/transform these songs into a new work. In both cases, you just need to provide attribution / credit by giving my artist name and linking back to this website, as well as distributing your works in the same manner (ie. CC-BY-SA).
Get in touch with me on the federated web.
Explore other great music via the Faircamp webring:
Here is the experimental electronic music and sound art of dAVE Inden. Everything here is available for free listening and download in a variety of formats.
If you are looking to learn more about this project you can check out the main site at attksthdrknss.com for pages on each of these releases, a blog, as well as a contact page for reaching out.
You can also connect with dAVE on Mastodon to say hello!
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All works shared here are licensed under CC BY-NC-SA 4.0
This site was made with Faircamp
Label:
The label doesn't make any contracts with its artists, allowing them total freedom in regards to decision making. The musicians own all their music, with audiokontor just providing support and an outlet for their craft.
The label is still young, and was born out of a passion Marius Hammerich shared with a couple of befriended artists. But when it comes to the label's future, he's tight-lipped to the max.
Audio Services:
Mixing:
Recording fantastic raw tracks is just the start of achieving a fantastic-sounding, competitive production of your music. The next step in the process can be the difference between your music receiving a lukewarm reception and gaining lifelong fans.
Using a range of techniques, Mixing adds power and punch, brings out the emotion in your track and ultimately creates a much more powerful connection with your listeners.
Mastering:
With careful use of digital plugins and analogue hardware for EQ, compression, balancing, automation, limiting and many other advanced techniques, we can provide a finished master you can truly be proud of.
Individual songs are maximised and optimised for CD and radio as well as online platforms such as Spotify, Apple Music and Deezer. Tracks that form EPs or albums are treated to ensure consistency between each song, and a DDP can be created for CD duplication.
Futzle: Music written, performed and produced by Deborah Pickett.
The L Plate Players: Fediverse collaborations produced by Deborah Pickett.
A listing of my home-made music, now made available to all.
Levantine culture
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Musician from #Leipzig. Born at 331.92 ppm in DDR. When I was 13 the iron curtain fell - one of the strangest events I experienced. When the dust had settled, I started making music. Just released my first EP "Arbeit oder Liebe", whose title track I wrote in a dream.
Torsten Torsten aus Leipzig macht Musik. Schreibt Lieder, singt und spielt Gitarre, Hackbrett, Duduk und Loopstation.
Fotocredits: Ellen Bonte, Masha Potempa
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still unsure, but doing it anyway
a micro-label to expose and escape
within tsunami records, a clear connection emerges among the artists and their works.
each one boldly explores the boundaries of music, blending diverse influences to create unique sonic landscapes.
whether through the meticulous deconstruction of the electric guitar, the fusion of cinematic composition and dance, or audacious sonic experimentation, these artists share an innovative and unconventional approach to music creation.
the label stands out as a space dedicated to pushing boundaries, where creativity and sonic exploration take center stage in each production.
feel free to listen, download, contribute a fair amount if you can, and share.
this is a work in progress. more artists will join. please come back later.
more independent music ?
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The dark, whimsical debut release of Underscore in 2017 set the stage for TWUNI, the solo project of Devin Canterberry, former guitarist of the Louisiana psychedelic rock group, Rosenthal. Underscore pays homage to electro pop, with the stylings of Shatterproof calling back to Depeche Mode and the bangin' cover of LCD Soundsystem's Get Innocuous!
In 2021, The Dreamer's Drive single brought cascading guitar rhythms reminiscent of Duran Duran, a driving slap bassline, and the haunting vocals of a sentient automaton. This mostly-analog track, recorded and mixed on basic software, was a complete 180° from its digitally produced predecessor.
The Eventide Triad, Part 1, took yet another turn. This instrumental space opera concept album was written and recorded live over a series of improvisational mood studies.
The genre-defying Another Time, Another Place juxtaposes Underscore's electro and VGM vibes with guitar-centric alt-rock, like Butthole Surfers meets Twin Peaks.
Intrinsic Duality sheds all pretense of electro pop and commits itself to being a full alt-rock album. Deeply lyrical, this intimate album plays out like a journal entry.
Hyperspace revisits that cyber rock era once again in a loving nod to Datarock and Thomas Dolby.
TWUNI continues to surprise and delight fans in each release, expanding its universe and taking the sound in interesting, and sometimes bizarre, directions.
📻 Discover other artists on radio free fedi.
© Devin Canterberry. Licensed under CC BY-NC 4.0.
Velstandsfanden er et lite og intimt pønkorkester fra Numedal som spiller jovial pønkrock. Innimellom med innslag av høytid, samfunnskritikk og personlig fornedrelse.
Velstandsfanden oppsto en gang i løpet av 2019, på veien mellom Youngstorget og The Whiskybar i Oslo. Men historien går lengre tilbake enn det.
Den opprinnelige Nissepønk låta ble laget i protest mot det nitriste utvalget låter jobb-bandet hadde plukket ut til den interne julekonserten i 2009. Den gang forsøksvis spredd til undrende bekjente under navnet Markedskrefter. Men det ble ikke noe mer utav det etter dette.
Siden det begynte å nærme seg et slags tiårsjubileum, hadde tankene på å gjøre noe mer utav den surret en stund. Så snart navnet var på plass, kom resten mye av seg selv. Det ble smidd pønkrock med julelenker og nissemelankoli, fire i tallet – og med god hjelp fra Welle på trommer ble det hele ble presset ut på en 7" akkurat i tide til at de fleste fikk den i hus før julegrøten skulle sprites opp.
Men Velstandsfanden gir seg ikke med det! Nye grenser skal krysses og musikalske territorier skal bedekkes! Velstandsfanden dukker opp igjen.
Når du minst aner det.
Som julenissen på kjærringa!